Graffiti is a global art movement that is ceaselessly changing and developing. Landing in China only in the mid-1990s, it represents an almost unknown but extremely lively and vibrant phenomenon, capable of giving soul and voice to the anonymous neighbourhoods of China’s megalopolis. Presenting the intense activity of some of the most famous writers and crews in China, this volume shows a form of art in constant evolution, yet still entirely unexplored. Chinese Graffiti lies between legality and illegality, free street art and commercial art, state support and social denunciation, revealing its all-Chinese uniqueness, along with the multifaceted artistic and cultural reality of contemporary China.
Bisceglia, M.R. (2024). IV. SHANGHAI, A COSMOPOLITAN AND INTERCULTURAL TREND. BOLOGNA : 1088press.
IV. SHANGHAI, A COSMOPOLITAN AND INTERCULTURAL TREND
marta rosa bisceglia
2024
Abstract
Graffiti is a global art movement that is ceaselessly changing and developing. Landing in China only in the mid-1990s, it represents an almost unknown but extremely lively and vibrant phenomenon, capable of giving soul and voice to the anonymous neighbourhoods of China’s megalopolis. Presenting the intense activity of some of the most famous writers and crews in China, this volume shows a form of art in constant evolution, yet still entirely unexplored. Chinese Graffiti lies between legality and illegality, free street art and commercial art, state support and social denunciation, revealing its all-Chinese uniqueness, along with the multifaceted artistic and cultural reality of contemporary China.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
