This issue of the Journal of Asia-Pacific Pop Culture (JAPPC) is the result of a collaboration with an Italian research group working on a research project entitled “Italian Feminist Photography” (IFP), funded by the Italian Ministry for University and Research after winning a national funding call. The IFP project aims at reconstructing the contribution of feminism to Italian photographic production from the origins of the medium to 1980, analyzing the contribution of women to the history of Italian photography within the framework of a progressive spread of demands for feminist emancipation and recognition of identity, according to the most recent perspectives offered by gender and feminist studies. Our investigation and reflection extend to practices which, while outside any militant positions, helped to underline a specific policy of construction of the female imagination and different self-assertion strategies. Aiming to study and enhance the presence and role of women photographers in Italy, and highlight the effective circulation of their work, our research project investigates different channels through which both explicit and militant, as well as implicit and/or anticipatory, feminism can be framed in history. Our special issue on the topic Italian Feminist Photography offers to readers of JAPPC a powerful collection of original articles dealing with a wide range of experiences and practices that represent the universe of Italian photography from a feminist perspective. As editors of the present volume, in the final part of our letter we will thus present to our readers a brief outline of the main themes covered in each contribution included in our collection, which comprises nine research articles and two book reviews.

Muzzarelli, F., Marino, S. (2024). Italian Feminist Photography. Philadelphia (Pennsylvania) : The Pennsylvania State University Press.

Italian Feminist Photography

Federica Muzzarelli
;
Stefano Marino
2024

Abstract

This issue of the Journal of Asia-Pacific Pop Culture (JAPPC) is the result of a collaboration with an Italian research group working on a research project entitled “Italian Feminist Photography” (IFP), funded by the Italian Ministry for University and Research after winning a national funding call. The IFP project aims at reconstructing the contribution of feminism to Italian photographic production from the origins of the medium to 1980, analyzing the contribution of women to the history of Italian photography within the framework of a progressive spread of demands for feminist emancipation and recognition of identity, according to the most recent perspectives offered by gender and feminist studies. Our investigation and reflection extend to practices which, while outside any militant positions, helped to underline a specific policy of construction of the female imagination and different self-assertion strategies. Aiming to study and enhance the presence and role of women photographers in Italy, and highlight the effective circulation of their work, our research project investigates different channels through which both explicit and militant, as well as implicit and/or anticipatory, feminism can be framed in history. Our special issue on the topic Italian Feminist Photography offers to readers of JAPPC a powerful collection of original articles dealing with a wide range of experiences and practices that represent the universe of Italian photography from a feminist perspective. As editors of the present volume, in the final part of our letter we will thus present to our readers a brief outline of the main themes covered in each contribution included in our collection, which comprises nine research articles and two book reviews.
2024
259
Muzzarelli, F., Marino, S. (2024). Italian Feminist Photography. Philadelphia (Pennsylvania) : The Pennsylvania State University Press.
Muzzarelli, Federica; Marino, Stefano
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/1000717
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