Original hand drawings by Leonardo are astonishing collections of knowledge, superb representations of the artist’s wayof working, which proves the technical and cultural peak of the Renaissance era. However, due to their delicate and fragilenature, they are hard to manipulate and compulsory to preserve. To overcome this problem we developed, in a 10-year-long research program, a complete workflow to produce a system able to replace, investigate, describe and communicateancient fine drawings through what Leonardo calls “the best sense” (i.e., the view), the so-calledISLe(InSightLeonardo). Theoutcoming visualization app is targeted to a wide audience made of museum visitors and, most importantly, art historians,scholars, conservators, and restorers. This article describes a specific feature of the workflow: the appearance modeling withthe aim of an accurate Real-Time Rendering (RTR) visualization. This development is based on the direct observation offive among the most known Leonardo da Vinci’s drawings, spanning his entire activity as a draftsman, and it is the resultof an accurate analysis of drawing materials used by Leonardo, in which peculiarities of materials are digitally reproducedat the various scales exploiting solutions that favor the accuracy of perceived reproduction instead of the fidelity to thephysical model and their ability to be efficiently implemented over a standard GPU-accelerated RTR pipeline. Results of thedevelopment are exemplified on five of Leonardo’s drawings and multiple evaluations of the results, subjective and objective,are illustrated, aiming to assess potential and critical issues of the application.

How to Analyze, Preserve, and Communicate Leonardo's Drawing? A Solution to Visualize in RTR Fine Art Graphics Established from “the Best Sense” / Fabrizio Ivan Apollonio, Riccardo Foschi, Marco Gaiani, Simone Garagnani. - In: ACM JOURNAL ON COMPUTING AND CULTURAL HERITAGE. - ISSN 1556-4673. - ELETTRONICO. - 14:3(2021), pp. 36.1-36.30. [10.1145/3433606]

How to Analyze, Preserve, and Communicate Leonardo's Drawing? A Solution to Visualize in RTR Fine Art Graphics Established from “the Best Sense”

Fabrizio Ivan Apollonio
Primo
Methodology
;
Riccardo Foschi
Secondo
Methodology
;
Marco Gaiani
Penultimo
Methodology
;
Simone Garagnani
Ultimo
Software
2021

Abstract

Original hand drawings by Leonardo are astonishing collections of knowledge, superb representations of the artist’s wayof working, which proves the technical and cultural peak of the Renaissance era. However, due to their delicate and fragilenature, they are hard to manipulate and compulsory to preserve. To overcome this problem we developed, in a 10-year-long research program, a complete workflow to produce a system able to replace, investigate, describe and communicateancient fine drawings through what Leonardo calls “the best sense” (i.e., the view), the so-calledISLe(InSightLeonardo). Theoutcoming visualization app is targeted to a wide audience made of museum visitors and, most importantly, art historians,scholars, conservators, and restorers. This article describes a specific feature of the workflow: the appearance modeling withthe aim of an accurate Real-Time Rendering (RTR) visualization. This development is based on the direct observation offive among the most known Leonardo da Vinci’s drawings, spanning his entire activity as a draftsman, and it is the resultof an accurate analysis of drawing materials used by Leonardo, in which peculiarities of materials are digitally reproducedat the various scales exploiting solutions that favor the accuracy of perceived reproduction instead of the fidelity to thephysical model and their ability to be efficiently implemented over a standard GPU-accelerated RTR pipeline. Results of thedevelopment are exemplified on five of Leonardo’s drawings and multiple evaluations of the results, subjective and objective,are illustrated, aiming to assess potential and critical issues of the application.
2021
How to Analyze, Preserve, and Communicate Leonardo's Drawing? A Solution to Visualize in RTR Fine Art Graphics Established from “the Best Sense” / Fabrizio Ivan Apollonio, Riccardo Foschi, Marco Gaiani, Simone Garagnani. - In: ACM JOURNAL ON COMPUTING AND CULTURAL HERITAGE. - ISSN 1556-4673. - ELETTRONICO. - 14:3(2021), pp. 36.1-36.30. [10.1145/3433606]
Fabrizio Ivan Apollonio, Riccardo Foschi, Marco Gaiani, Simone Garagnani
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/827385
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