«La nature n’est pas en surface; elle est en profondeur». As S. Campana, one of the curators of this text, quotes the maxim stated by the French painter Paul Cézanne at the beginning of the book, it also appears well suited to describe the latest developments occurring in the use of 3D in the field of Archaeology and Cultural Heritage during recent years. Out of the curator’s consideration, the necessity to propose an ensemble of new “best practices” arises, in order to include these technologies in the current methodologies applied to Archaeology. The present volume is made up of scientific articles on theory and case studies, written by several authors with expertise in lecturing and tutoring on 3D applications in documenting cultural heritage and archaeological practice, who aim to introduce the application of 3D recording and modeling as a standard in the realm of archaeological recording and interpretation.
Review of: Fabio Remondino and Stefano Campana. eds. 2014. “3D Recording and Modelling in Archaeology and Cultural Heritage: Theory and best practices”. BAR International Series 2598. Oxford: BAR
Pietrobelli, A.
2017
Abstract
«La nature n’est pas en surface; elle est en profondeur». As S. Campana, one of the curators of this text, quotes the maxim stated by the French painter Paul Cézanne at the beginning of the book, it also appears well suited to describe the latest developments occurring in the use of 3D in the field of Archaeology and Cultural Heritage during recent years. Out of the curator’s consideration, the necessity to propose an ensemble of new “best practices” arises, in order to include these technologies in the current methodologies applied to Archaeology. The present volume is made up of scientific articles on theory and case studies, written by several authors with expertise in lecturing and tutoring on 3D applications in documenting cultural heritage and archaeological practice, who aim to introduce the application of 3D recording and modeling as a standard in the realm of archaeological recording and interpretation.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
