This introduction specifies the main arguments of the book explaining the political meaning of the concept of modernism. The aim is not to propose a new periodization through which to read the political modernity. Our aim is rather to describe the process of a new politicization resulting by the interlacement of art and politics. The traces of modernism are a pattern of the complex and difficult processing of the crisis of conscience in the passage from the nineteenth to the twentieth century which is announced by the obsessive presence of concepts like New Man, Machine, Total State, Avant-gard, Plan.

The Individual and the New Man. An Introduction

Maurizio Ricciardi
;
Monica Cioli;Pierangelo Schiera
2019

Abstract

This introduction specifies the main arguments of the book explaining the political meaning of the concept of modernism. The aim is not to propose a new periodization through which to read the political modernity. Our aim is rather to describe the process of a new politicization resulting by the interlacement of art and politics. The traces of modernism are a pattern of the complex and difficult processing of the crisis of conscience in the passage from the nineteenth to the twentieth century which is announced by the obsessive presence of concepts like New Man, Machine, Total State, Avant-gard, Plan.
2019
Traces of Modernism. Art and Politics from the First World ti Totalitarianism
7
18
Maurizio Ricciardi, Monica Cioli, Pierangelo Schiera
File in questo prodotto:
Eventuali allegati, non sono esposti

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/687634
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact