In this paper, after a brief historical overview, we will make a programmatic and paradigmatic comparison through analogy, between cartography and design. These two subjects both share three fundamental characteristics: a captivating appearance, usefulness, and also are ubiquitous in everyday life. This is particularly evident nowadays in mobile devices such as smartphones and tablets that are featured with a touchscreen technology. The paradigmaticity of such a comparison stands in the planning, and organizational quality, common to the two above mentioned subject areas. We will maintain that such a quality creates new aesthetics horizons, made possible as a result of great usability, functionality and interactivity. These features are achieved through the interdisciplinary cooperation between a careful design activity and a formal organization of symbols. These materialize into what we claim to be the «pass key» to this new kind of aesthetic experience rooted in the everyday and marked by immediacy: the interface.

G.L. Iannilli, Inter-facing everydayness. Dalla distanza all’uso, attraverso il paradigma cartografico, in G. Matteucci (a cura di), Estetica e Pratica del Quotidiano. Oggetto, Esperienza, Design, Mimesis, Milano 2015

IANNILLI, GIOIA LAURA
2015

Abstract

In this paper, after a brief historical overview, we will make a programmatic and paradigmatic comparison through analogy, between cartography and design. These two subjects both share three fundamental characteristics: a captivating appearance, usefulness, and also are ubiquitous in everyday life. This is particularly evident nowadays in mobile devices such as smartphones and tablets that are featured with a touchscreen technology. The paradigmaticity of such a comparison stands in the planning, and organizational quality, common to the two above mentioned subject areas. We will maintain that such a quality creates new aesthetics horizons, made possible as a result of great usability, functionality and interactivity. These features are achieved through the interdisciplinary cooperation between a careful design activity and a formal organization of symbols. These materialize into what we claim to be the «pass key» to this new kind of aesthetic experience rooted in the everyday and marked by immediacy: the interface.
2015
Estetica e Pratica del Quotidiano. Oggetto, esperienza, design.
125
135
Iannilli, G.L.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11585/593512
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